Article #1177

Sparks fly in this homoerotic dance of desire and betrayal, from a powerful new voice in Irish literature

Toxic masculinity, that repressed and repressive male energy that does so much to fuel brutality and abuse, sometimes finds itself on the brink of a vulnerable homoeroticism. In Djamel White’s debut novel All Them Dogs, a vividly propulsive neo-noir, two violent men discover that murderous desires can lead to love as well as death. This is a fast-paced crime thriller with a psychosexual twist, set in a dangerously Freudian arena of Eros and Thanatos.

On the run for five years after killing a man in a gang fight, Tony Ward has returned to the badlands of west Dublin under the protection of a local crime boss. Teamed up with tall and sullen enforcer Darren “Flute” Walsh, Tony is back on his home turf grafting a grim routine of collecting debts and drug dealer’s dues. Propelled through a world of old scores and hard knocks, our protagonist is a shark who has to keep moving simply to survive. But when he and Flute are called upon to kill a failing dealer, their brutal conspiracy becomes a visceral dance of desire and betrayal.