Article #14952

Goodwood Art Foundation, West Sussex
The late great land artist’s alfresco metal and concrete works are richly engaging and elemental – but the gallery material indoors lacks some heft

It pays to think big if you’re an artist. You know, zoom out and try to get away from the minutiae of life, the tedium of the everyday, and think on a bit more of a universal scale instead. Land artist Nancy Holt (1938-2014) was a master at it; at using her work to place the body, and wider humanity, in a global, cosmic context. Holt and the other land artists of her generation – people like Michael Heizer, Richard Long and her partner, Robert Smithson – wanted to break out of the restrictions of paint and canvas, stone and chisel, gallery and museum. Land, nature, the world itself, was the medium.

Goodwood is a fine setting for the biggest UK exhibition of her work to date – an expansive, lush estate in the middle of the rolling West Sussex countryside. There are two big sculptural installations placed around the grounds, Ventilation System and Hydra’s Head. In the first, a huge metallic mechanism pokes out of the vegetation around the main gallery; big tubular aluminium pipes, all interconnected, snaking their way around the place and back into the building.