Article #49790

(Pussy Riot)
On a disappointing record helmed by co-founder Nadya Tolokonnikova, corny guitars and generically moody synths undermine the activist group’s political acuity

Great music rarely makes for great activism, and the reverse is true on Pussy Riot’s official debut album. A scattergun mix of icy electronics, pumping EDM and whispered rap, CYKA (“bitch” in Russian) follows a decade of musical protest performances from the activist collective. Made by co-founder Nadya Tolokonnikova (she and Maria Alyokhina were imprisoned in separate penal colonies between 2012 and 2013), CYKA’s powerful point of view is diluted by weak delivery.

Lead single Candy Dopamine, with metal band Avenged Sevenfold, disguises its critique of big pharma with cutesy lyrics, corny electric guitar and inconsequential key changes. Generically moody synths and cliched siren sounds run through much of the record, as does blunt-force EDM: Nothing to Lose is both a cluttered trance track, and about being hated by Russia’s “liberal intelligentsia” for supporting Ukraine.